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Arequipa’s picanterías declared part of Peru’s Cultural Heritage

Arequipa’s picanterías declared part of Peru’s Cultural Heritage

In the local slang of Arequipa, if you’re going to picantear, you’re going to visit a picantería, the traditional eateries of Arequipa that have been serving up their succulent stews and spicy dishes for generations, remaining ever loyal to the region’s colonial flavors. This week, they’re being honored by the Peruvian Ministry of Culture as part of the Patrimonio Cultural de la Nación, an honor and protection bestowed on different elements of national culture, from the Inca Trail to Machu Picchu to Scissor Dancing. The honor is being bestowed on the picanterías for their roles as guardians of traditional local cuisine and as social spaces where diverse social classes interact.

The Scissor Dancers of Peru Will Show off Their Moves this December

The Scissor Dancers of Peru Will Show off Their Moves this December

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Each December 24th through 27th, the city of Huancavelica celebrates the lively Scissor Dance (Danza de las Tijeras), which hails from the Ayacucho region of the Peruvian highlands and pairs acrobatic moves and rhythmically snapping scissors with violin and harp music.

In pre-Hispanic times, holy men from7824612410_23f1b79fdc_k the local highland communities performed the ritual dances from which the Scissor Dance originates, but after the Spanish conquest such dances were seen as diabolical by the colonists, who forced the holy men into hiding in the surrounding mountains. The dancers were eventually allowed to return to their villages only upon the condition that from now on, they would dance for Catholic saints. Colonial influence can be seen through the inclusion of Spanish steps such as the jota, contradanza and minués, as well as in the dress. Today, the dance is often seen on religious holidays as well as agricultural festivals.

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Three years ago, UNESCO declared the dance as part of the intangible Cultural Heritage of Humanity for its historical and symbolic value.

As the dance never lost its reputation for being gfgdiabolical, locals referred to it as Supaypa Wasin Tusuq, which is Quechua for “dance in the house of the devil”. The popularity of the name Scissor Dance is attributed to 20th century Peruvian author José María Arguedas, who immortalized the dance in various novels. Local lore maintains that a pact with the devil gives the dancers the skill and stamina to perform in marathon dance contests where they dance intermittently with competitors for 10 to 12 hours.

Alongside this month’s Atipanacuy Festival, during which the faithful engage in occasionally gory ritual spectacles, Huancavelica also holds its largest scissor dance contest.

Visiting Santa Catalina Monastery in Arequipa

Visiting Santa Catalina Monastery in Arequipa

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The 16th century Santa Catalina Monastery in Arequipa once housed nuns from the high class Spanish families- at its peak, the huge complex housed up to 150 nuns and 300 servants.  At the time, families were expected to send their second child into the service of the church, and paid very high dowries to send their daughters to Santa Catalina. Many lived lives of luxury within the cloistered walls of Santa Catalina, with slaves and servants to attend to them and tales of pregnant nuns floating around. This ended in 1871 when Pope Pius IX requested the monastery’s reform, sending in an overseer to teach the nuns humility.

Enjoy Creole Music Day (Día de La Canción Criolla) in Lima this Oct 31st

Enjoy Creole Music Day (Día de La Canción Criolla) in Lima this Oct 31st

diadelacancioncriollaOctober in Lima begins with processions and ends with Creole serenades. Although Halloween is celebrated as well (on a lesser scale), for Peru, Oct 31st is the Day of the Creole Song. This year will mark the 70th Día de la Canción Criolla, a day honoring the African, Spanish, and Andean rhythms that came to define Peruvian music during the colonial 5143988639_6857fa7c78_bperiod. Spanish guitar, the Peruvian cajón, and castanets come together in Peru’s national dance, the graceful Marinera, the bluesy Landó, festive Festejo, and the creole waltz known as the Vals Criolla. Many of you have probably heard of the three superstars of música criolla in Perú, all of whom won strong international followings: Susana Baca, Eva Ayllon, and Chabuca Granda. Read on for our suggestions on how to celebrate the day for different budgets….

Visiting Arequipa? Don’t Miss the Salinas & Aguada Blanca Reserve

Visiting Arequipa? Don’t Miss the Salinas & Aguada Blanca Reserve

5467371664_0c75babf19_o 50 thousand tourists visit the Salinas & Aguada Blanca Reserve each year, most of them stopping en route from Arequipa to Colca Canyon. Located in the Arequipa and Moquegua departments, the reserve is marked by expansive landscapes extensive plains, large and beautiful volcanoes, lagoons, peat bogs and cushion bogs, whimsical rock formations, and prehistoric remains.

Most stop to appreciate the views of the 2361907380_bbf7d68182_blandscape and the grazing herds of endangered Vicuña and Taruca along the Cañahuas plains. (The Taruca is an endangered Andean deer which lives in the central Andes at altitudes higher than 3900 masl; the reserve is one of the few places in which it can be found.) Visitors with more time to spare can go mountain climbing, camping, rock climbing, mountain biking, or hiking.

The western chain of the Andes is the reserve’s natural frontier of the reserve. Here, one can see region’s storied volcanoes: El Misti, Ubinas, the three snowy peaks Chachani, Huarancante, and Pichu Pichu (which is technically outside of the reserve but within its area of influence).

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During the Stone Age, the area was populated by nomadic hunters who hunted vicuñas and guanacos, gathered eggs, seeds and amphibians. They documented these activities in their cave paintings, which can still be seen today at the Sumbay Caves as well as the Mollepunco, La Pulpera and Tarucani caves. Another local attraction with prehistoric roots is the site known for the Toro Muerto Petroglyphs. (The nomadic hunters gave way to the Collagua Culture, whose descendants still live within the reserve and in nearby Colca Canyon.) One can also admire the rock formations of Puruña and Imata, which have been naturally sculpted by erosion. At Imata, you will notice permanent ice flows.

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Although there are 13 indigenous communities and more than a hundred private properties within the reserve area, but interaction with the local flora and fauna is still controlled. The animals and birds seen within the reserve are those which are most representative of South America’s dry high Andean plains, those which have adapted to the ecosystem’s brusque climate changes and extremely cold temperatures. In addition to its camelids (llamas, alpacas, vicuña, guanacos), deer, and diverse birds, the reserve also protects queñual forests and yareta plants. Among other lakes, the saltwater Salinas Lagoon and the El Indio (or Jayuchaca) Lagoon provide refuge to three different varieties of flamingo, whose population can grow to 25 thousand during the wet season, seagulls, and swans.